Fringe: The Comprehensive Mythology Episode Guide to the Best Drama on TV

by Amy Yen

In case you are wondering, yes, this is where I’m going to pretend like the World Series didn’t happen. Think of it like the denial stage of grief, although, after it was all over, I did anger & depression together, like a misery cocktail of doom & despair. Ugh. And on top of everything, Game 7 pre-empted Fringe. Seriously? Kick me when I’m down already.

In preparation of the show coming back this week after what has been a two-week hiatus, I thought I’d do a post about how people—& by people, I mean the majority of the American television viewing public, since they spend their time watching NCIS & terrible VH1 reality shows—can catch up on Fringe, which they should, because it is, in fact, the best drama on TV.

I say this, but I’m aware that Fringe is a particularly hard show to get caught up on. Worse than Lost even. At least when you’re watching Lost, even when it’s meandering around throwing out questions that will never be answered, you don’t usually know that what you’re watching isn’t really important. The main problem with Fringe is, throughout most of its run, it’s insisted on trying to stay somewhat accessible to casual viewers, which means a solid half of its episodes, maybe more, are of the standalone monster-of-the-week variety, where you can tune in randomly & be able to mostly follow what’s going on. And while those episodes are fun to watch, as fun even as most X-Files standalones, when you’re trying to get caught up on 3+ seasons of an extremely dense mythology, they feel like treading water.

So, when I lent my co-worker my Fringe DVDs, I eventually also provided him a guide of mythology episodes, the ones you really need to watch to understand the core story of Fringe, the real reason it’s such a great show. If you’re going through it for the first time trying to catch up to the live episodes, I would recommend watching these first, then going back & watching the monster-of-the-weeks over the summer when you have more time to sit around & be grossed out by mole-rat babies & mutant fungi.

PS: I really liked this post, which does something similar. Her “things you should know about Fringe” are especially good.

Warning: This episode guide contains minor spoilers. Click More to read on.

Season 1

1.1 Pilot: This is one of those pilots that actually gets better retroactively. It is not on the level of either Lost or Alias, two of JJ Abrams’ other shows, which rank among the best pilots in the history of television. But the pilot for Fringe does set up a few important recurring plot devices, like the tank & Olivia sharing consciousness with John Scott, as well the all-important character dynamics between the main trio (Olivia, Walter & Peter). Also, it begins Fringe’s grand tradition of delightfully disgusting cold opens with the gross-out image to end all gross-out images.

1.4 The Arrival: The original Observer episode. Which gets cooler when you realize it’s not the first time you’ve seen the Observer & he has, in fact, been there all along. This also begins a pattern (no pun intended) with Fringe in which the fourth episode of each season is a crucial mythology episode.

1.7 In Which We Meet Mr. Jones: Just what it says on the tin. David Robert Jones is the main villain in season 1 & is the driving force that sets the events of the series into motion.

1.10 Safe: In addition to just being an excellent episode, it significantly moves forward both the Mr. Jones storyline & the John Scott lingering subplot.

1.11 Bound: More in the Mr. Jones arc, also features another spectacular gross-out in the case-of-the-week.

1.14 Ability: Although we don’t really know it at the time, the climax of this episode is a vitally important turning point for Olivia’s character. Pay particular attention to the circumstances of the climax. It will become important in approximately 50 episodes.

1.17 Bad Dreams: Besides being Akiva Goldsman’s first episode (he will go on to write & direct many of the show’s most critical episodes with showrunners Joel Wyman & Jeff Pinkner), this is a major Cortexiphan episode, which is crucial part of Olivia’s character. We also meet Nick Lane, who will recur in various forms in a few more episodes.

1.19 The Road Not Taken: Together with the finale, this episode sets up the central mythology element of the show, the parallel universes. We even get our first glimpse of the other side.

1.20 There’s More Than One of Everything: Leonard Nimoy makes his first appearance & this episode features two of the best reveals you’ll ever see in a season finale. Everyone remembers the second one, but it’s actually the first that is more important: we learn the Big Secret behind who Peter really is.

Season 2

2.1 A New Day in an Old Town: Features possibly the coolest cold open in the show’s history. A lot of time is spent on Olivia’s time on the other side, but since she can’t remember any of it, it’s mostly just set up. More importantly, the shapeshifters are introduced, they drive a lot of the action in the first half of season 2. We also see the quantum-entangled typewriter for the first time, which is a key plot device.

2.4 Momentum Deferred: An incredible episode on several levels, the only shame is that you had to sit through two standalones to get to it. We learn what Olivia learned on the other side, the subplot involving Charlie is resolved & we see Thomas Jerome Newton, the main season 2 villain, for the first time.

2.8 August: Another Observer episode, notable in that we learn there’s more than one of them too. Not so much important for what actually happens in the episode, but for what we learn about the Observers’ purpose.

2.10 Grey Matters: One of those episodes (there are many) that make you really, really hate Emmy voters for ignoring John Noble. This story both fleshes out the holes in Walter’s backstory & moves the other universe story forward in a big way.

2.15 Jacksonville: An important story for the other universe story, Olivia’s Cortexiphan backstory & Peter’s backstory, this is the set-up episode for the remainder of the season. (PS: While I’m only going to include the most important mythology episodes here, pretty much every episode in season 2 from here on out is worth watching on the first run. They include probably my two favorite standalone stories, White Tulip & Northwest Passage.)

2.16 Peter: If you ask most fans what they consider the single best episode of Fringe, probably 90% of them would say this episode. A story that takes place almost entirely in a flashback, we learn the full truth about what happened to Walter & Peter, what happened to Nina Sharp‘s arm & how the Observer is in the middle of everything even more than we originally thought. Also, we get to see the incredibly awesome 80s-style credit sequence for the first time.

2.19 The Man From the Other Side: As you would expect, this episode is about a man from the other side. Two of them, actually.

2.22/23 Over There, Parts 1 & 2: We spend almost an entire two hours on the other side, from here on out dubbed the red-verse (due to the new credit sequence). We meet the alternate Fringe team, including scar-faced alt-Charlie & Lincoln Lee, who will go on to become one of the most compelling characters on the show. We also see the red-verse’s amber quarantine for the first time, spend some quality time with William Bell & get our first glimpse of the doomsday machine, which is a plot device that drives much of season 3. We end on a classic Fringe twist, & man, it’s a good one.

Season 3

3.1 Olivia: This episode sets up the format for the first part of season 3, which alternates episodes between the red-verse & blue-verse. As with the end of season 2, pretty much every episode in this arc is worth watching on the first run. We also meet Henry the cab driver for the first time & he’s as awesome as you’d expect from someone played by Andre Royo from The Wire.

3.4 Do Shapeshifters Dream of Electric Sheep?: As the title suggests, this is a shapeshifter episode & we do learn quite a bit about them, including just how far they’ve infiltrated the blue-verse & how to get information out of them. This will all become important later.

3.8 Entrada: The culmination of the Olivia/Fauxlivia storyline, this episode spectacularly jumps between the two universes. Also, the doomsday machine subplot takes another turn.

3.9 Marionette: This is actually essentially a standalone, but has a lot of emotional ramifications that are pretty important for the development of both Peter & Olivia. Plus, as standalones go, it’s a pretty compelling one.

3.10 The Firefly: Besides the title being a cheeky little acknowledgment to the show’s move to the Friday Night Death Slot, this is another Observer episode, which both shows how even the smallest changes made by Walter to the timeline affected things in the past & also how far the Observers are willing to go to correct things.  Also, Christopher Lloyd is awesome.

3.13 Immortality: We visit the red-verse again for the first time since Entrada & find out an important development about Fauxlivia’s time on our side. Also, even more gross than usual monster-of-the-week visuals.

3.14 6B: This episode deals with the potential for tears in the fabric of the blue-verse & the morality of dealing with it the way the red-verse did. There’s also some movement on the Peter-Olivia emotional subplot, which is ultimately important to the end of the season.

3.15 Subject 13: Another fantastic 80s flashback episode. Never mind the fact that nobody apparently remembers any of this happening (I’m actually pretty sure this will all get explained later), this story goes a long way to flesh out a few things we already kind of peripherally knew about, like Olivia’s first time crossing over to the other side & how her powers are triggered. It also features two of the most impressive child actor castings I’ve ever seen. (Seriously, they nailed it.)

3.18 Bloodline: The last real red-verse story of the season sets into motion Walternate’s evil plan involving the doomsday machine. It’s also the episode in which Lincoln Lee worms his way permanently into our collective hearts.

3.20 6:02 AM EST: Primarily a set-up episode for the finale, it also features the re-emergence of Sam Weiss, who is an important figure but who I have yet to mention because he has sneakily thus far primarily appeared in several of the non-mythology episodes of season 2.

3.21 The Last Sam Weiss: We learn more about our friend Sam & his connection to the doomsday machine & the First People, which is a concept introduced in some of the non-mythology episodes this season (which goes to show even the non-mythology episode of Fringe often turn out to be important to the mythology in the end). Remember what I said about the climax to Ability, all the way back in season 1? This is where it comes up again.

3.22 The Day We Died: Fringe pulls a X-Men Days of Future Past/Heroes Five Years Gone kind of thing, then finishes on the most controversial cliffhanger thus far.

Season 4

4.1 Neither Here Nor There: This episode sets up a brand new timeline that may or may not last, but it’s fun spotting the differences, at least for a while. Everything’s all different, except for that Lincoln Lee is still awesome, even in the blue-verse. (PS: I’m not including 4.2 One Night in October because it is essentially a standalone, but it’s pretty much universally regarded as one of the best standalones ever, so you should probably watch it first run.)

4.4 Subject 9: Another Cortexiphan episode, this time in the adjusted timeline, but it’s really all about what happens in the last five minutes.

Which brings us to where we are now. Seriously now, American television watching public, please watch Fringe. I know it’s hard, but it’s worth it. It’s a really fantastic show with really fantastic mythology & if you watch it, especially if you watch it in the way I’m recommending above, you will love it, I know it. Fridays at 9pm ET on Fox, be there!

Advertisement